The Eponymy Family

The Eponymy Family The Eponymy Family The Eponymy Family By Maeve Maddox The addition - nym implies name. The word eponym originates from Greek eponymos, â€Å"given as a name; giving a name on something.† eponym: thing. The individual for whom a nation or area is named. For instance, Romulus is the incredible eponym of Rome. Simã ³n Bolivar is the known eponym of Bolivia. eponym: thing. A legitimate name utilized conventionally; more freely, the nonexclusive name itself, or any thing expression of explicit significance which incorporates an appropriate name. For instance, Marxism: a hypothesis and practice of communism created by or related with Karl Marx; ohm: a unit of electrical opposition. eponymism: thing. the act of representing names of spots or people groups by alluding them to assumed ancient eponyms. In the Middle Ages, authors asserted Brutus of Troy as the eponym of Britain and the British individuals. eponomy: thing. another word for eponymism. eponymize: v. (trans.) to fill in as eponym to. For instance, the name Benedict Arnold has become an eponym for double crosser. eponymous: modifier. alluding to an eponym. For instance, Jane Eyre is the eponymous courageous woman of the novel by Charlotte Bronte. Another word utilized for eponymous is eponymic. Numerous eponyms get from Greek or Roman strict conviction and practice. For instance, the initial a half year of the year: January: Named for Janus, the Roman divine force of entryways and entryways, portrayed with two faces glancing in inverse areas February: Named for Februa, Roman celebration of cleaning held in that month. Walk: Named for Mars, Roman lord of war. April: The name originated from an Etruscan word related with Aphrodite, Greek goddess of affection and excellence. May: Named for Maia, the extraordinary one,† Italic goddess of spring and little girl of Faunus. June: Named for Juno, head Roman goddess and patroness of ladies and marriage. Her month is as yet well known with ladies. Many plant names get from the names of the individuals who acquainted them with their own societies. The poinsettia is named for Joel Roberts Poinsett (1779-1851), U.S. envoy to Mexico. German botanist Johann G. Zinn gave his name to the zinnia. Both the begonia and the bougainvillea got their names from Frenchmen: Michel Bã ©gon (1638â€1710), and Louis Antoine de Bougainville (1729â€1811). A plant subsidiary, nicotine, takes its name from another Frenchman: Jean Nicot de Villemain (1530-1600). A large number of disclosures and pragmatic creations have been named for individuals who had little to do with them. There’s even a law for that: Stigler’s Law of Eponymy. College of Chicago insights teacher Stephen Stigler proposed the law in an article distributed in 1980. The law states, â€Å"No logical disclosure is named after its unique discoverer.† Here are a few instances of reality of Stigler’s law: America: named for Americo Vespucci, yet found by others. Arabic numerals: developed in India. Fibonacci numbers: existed in Indian arithmetic a thousand years sooner than Fibonacci. Gresham’s law: portrayed by Nicolaus Copernicus the year Gresham was conceived. Halley’s comet: saw by space experts in old occasions. Higgs boson: named for Peter Higgs, however first conjectured by Robert Brout and Francois Englert. Stigler’s Law of Eponymy: gets from humanist Robert K. Merton’s hypothesis of the Matthew impact (another eponym). Merton considered the prize framework in science and reasoned that well known researchers get unbalanced acknowledgment for their commitments. On the other hand, lesser known researchers get less credit than they merit. Merton called this the Matthew impact. He took the name from the good news of Matthew: For unto each one that hath will be given, and he will have wealth: however from him that hath not will be taken even what he hath.25:29, KJV. In present day, noneponymous terms, â€Å"the squeaking wheel gets the oil.† Need to improve your English in a short time a day? Get a membership and begin getting our composing tips and activities day by day! Continue learning! Peruse the Vocabulary classification, check our mainstream posts, or pick a related post below:The Yiddish Handbook: 40 Words You Should Know40 Fish IdiomsAdverbs and Hyphens

Hispanic American Diversity Essay Example | Topics and Well Written Essays - 1250 words - 1

New Student Photo Series 2011 Post #3 COLUMBIA UNIVERSITY - SIPA Admissions Blog

New Student Photo Series 2011 â€" Post #3 COLUMBIA UNIVERSITY - SIPA Admissions Blog The new student photo series continues!   If you have sent photos, thank you and we will work on posting.   If   you have yet to send photos see this entry for details. Name: Annalisa Liberman Degree Program: MPA Photo Location: Casas Viejas and surroundings, Santa Rosa, Guatemala Photo Descriptions: All of these photos were taken in or near the town Ive called home for the past two years (2009-2011) as Peace Corps volunteer in a rural coastal town in southwestern Guatemala. Unlike what you find in Cindy Hollenbergs Guatemalan photos, I live in a mostly ladino community with less Mayan influence. I feel the contrast speaks to the vast cultural diversity of this small developing country. The shot labeled Feria was taken at a neighboring town fair. The carousel worker is resting during the mid morning lul while the locals sleep off their gomas or hangovers from the previous evenings baile. One morning I woke up to this Hogtied Croc on the family carport. My host father, Fernando, occasionally works nights packing shrimp for export. The previous eve this croc had made its way to the shrimp farm in search of an easy dinner where Nando wrestled, hogtied and trucked it home with him. He later sold it for Q2,000 ($250) to Auto Safari Chapin. The last shot is of a Guatemalan playing soccer on the beach at sunset. Everyone knows the importance of fútbol worldwide. No further explanation necessary. Dylan Meagher Incoming MIA I took this in southern Laos in 2007.   I stumbled on this woman pounding rice during a short guided tour through the country side.   I thought I could help out, but after a minute I realized I was doing anything but helping. I took this in Vientiane, Laos in 2007.   An interesting view of Vientiane, and I just love the symmetry of the photo. I took this picture at The Museum for Peace in Green Island, Taiwan in 2010.   The Museum is a former prison where thousands of political prisoners were held over decades.   Many of them never made it out of the prison, though the exact number is unclear.   I found this series of paintings particularly powerful for how they contrast anime, or manga, animation with horrific subjects.

Inferior Role of a Married Woman Nora in a Doll’s House by...

Inferior Role of a Married Woman Nora in A Doll’s House by Henrik Ibsen Mengdan Shen Theatre and Drama 120 Section 319 Ashley Bellet December 9, 2015 Before the twentieth century’s feminism movement, European females suffered from their unfair and discriminated positions in marriage and in society. In his masterpiece A Doll’s House, Henrik Ibsen creates Nora, a housewife who is dependent financially and socially on her husband, Helmer. Ibsen uses Nora’s marriage to depict and embody the unequal treatment to females in nineteenth century Europe. As another playwright Ella Hickson reviewed this play and commented on the character of Nora: As we meet her (Nora) in the first two acts she is very much Helmer’s possession. She†¦show more content†¦While Helmer feels jealous when hearing the stories, Doctor Rank is more willing to hear about them, which indicates that Helmer shows less respect even than Nora’s friend does to her. Besides Helmer’s disallowance of talking about other friends, the absolute ownership of Nora displayed by Helmer can also be found in other scenes. For example, when Nora says it is nice of her to do as Helmer wishes, her husband responds â€Å"Nice? -- Because you do as your husband wishes? Well, well, you little rogue, I am sure you did not mean it in that way† (Ibsen 33). It sounds as if Helmer considers the fact that wives should obey every word of husbands as a matter of course, and husbands never make any compromises. To Helmer, it is absurd that Nora considers it as a favor instead of a duty to obey his wishes. In addition, Helmer loves Nora only because it is pleasant for him to love Nora. It is obvious to infer from the last act of the play. Shortly before Helmer discovers the truth about the loan, he fantasizes that he would like to protect Nora, saying that â€Å"I have often wished that you might be threatened by some great danger, so that I might risk my life’s blood, and everything, for your sake† (Ibsen 58). However, within minutes of discovering her wrongdoing he thinks only of himself and abuses Nora. â€Å"Nora had assumed her husband, in love, would try to defend her, but she was wrong† (Hickson 5). Helmer is willing to do anything as longShow MoreRelated A Doll’s House and The Cherry Orchard1520 Words   |  7 PagesHenrik Ibsen’s A Doll’s House and Anton Chekhov’s The Cherry Orchard were famous for the way in which they depicted the changing of cultures. Both plays act as a sort of social commentary during times of widespread l iberation, and use the contortive nature of these seemingly stereotypical characters’ actions to speak about groups of people as a whole. Throughout the course of both plays, this subversion of how different groups of people were typically perceived created a distinct contrast which oftenRead MoreIntroduction Of Feminism Throughout A Doll s House1500 Words   |  6 PagesRyan Curry Mrs. Sherry Keown English 200-632 27 March 2016 The Introduction of Feminism through Female Roles in A Doll’s House According to Merriam-Webster dictionary, feminism is defined as â€Å"the theory of the political, economic, and social equality of the sexes† and viewed as â€Å"organized activity on behalf of women’s rights and interests†. During the early 1960s, many women began to advocate for feminist rights and social equality. In 1962, Marilyn Monroe passed away, and the following year journalistRead MoreA Doll s House By Henrik Ibsen1717 Words   |  7 Pageswhich the society has not figured out yet, even women themselves. What do women want, freedom or good life? Most of the time, they are not necessarily the same thing. The play, â€Å"A Doll House† written by Henrik Ibsen back in 1879 while exiled in Germany, reveals the desire of freedom from Nora, a typical house wife in Norway back in the end of 19th century. An event of secret loan exposes the struggles between the social calls and the desire for freedom in Nora’s heart. Contrast to the regatheringRead MoreGender in a Dolls House1216 Words   |  5 PagesGender in A Doll’s House In Henrik Ibsen’s play, A Doll’s House, Nora is the wife and mother. This play was considered so extreme because of the problem of women’s rights outlined in this play, something that was not openly showcased in plays during the 19th century. Women were thought by most to be mothers and housewives. Nora chose to abandon her children at the end of the play to find out who she really was and to find freedom for herself. The play would be considered so extreme in the timesRead MoreThings Fall Apart and A Dolls House on Gender Roles Essay1441 Words   |  6 PagesResearch Paper There are certain expectations of individuals based on how they speak, act, and what their actions convey. These are known as gender roles. Formerly and still to this day, society has had boundaries between each gender, men being above women due to their expectations. This stereotype has be widely accepted, causing an unfair and unequal treatment between genders. They limit individuals, not granting them to achieve and follow their dreams. Society has recognized the differences betweenRead MoreEssay on The Role of Mrs. Linde in A Dolls House1496 Words   |  6 PagesIndependence of Will In A Dolls House, Henrik Ibsen focuses on the importance of womens roles and freedom in society. Widely regarded as a feminist paean, the play features two major female characters; the most prominent of whom, Nora Helmer, shatters her position as a subservient, doll-like female when she walks out on her husband and children with a flagrant door slam heard round the world. Nora’s evolution, though inspiring, should not overshadow another crucial woman in the play: Mrs. KristineRead More The Feminist Movement in A Dolls House by Henrik Ibsen Essay examples1644 Words   |  7 PagesThe Feminist Movement in A Dolls House by Henrik Ibsen    In Henrik Ibsens, A Dolls House, the character of Nora Helmer goes through the dramatic transformation of a kind and loving housewife, to a desperate and bewildered woman, whom will ultimately leave her husband and everything she has known. Ibsen uses both the characters of Torvald and Nora to represent the tones and beliefs of 19th century society. By doing this, Ibsen effectively creates a dramatic argument that continues to thisRead MoreThe Role Of Women During The Play A Doll House 2110 Words   |  9 Pagesand interpretation essay The role of women in two plays studied In this essay my aim is to describe the role of women and the attitude towards them in two plays, very different between them, that we have studied during the module. The first play where there is a main focus on women’s role is, undoubtedly, A Doll House, written in 1879 by the Norwegian author Henrik Ibsen. This play was at the centre of many critics and debates, it ends with the main character. Ibsen with this play express the conceptRead MoreA Dolls House by Henrik Ibsen1492 Words   |  6 PagesA Doll’s House by Henrik Ibsen was written in 1879 during the Victorian Era. The story is written as a play to be performed on stage. The two main characters Nora and Torvald Helmer are upper middle class husband and wife, but it boils down to social expectations. Conflicts arise when women are under their husbands rule for everything and society pressure to keep up appearances. Torvald Helmer is the antagonist to Nora, his wife, because he is mostly concerned about his reputation, he is the supremeRead More Henrik Ibsen Marrital Relationships Essay1453 Words   |  6 PagesHenrik Ibsen Marrital Relationships In Henrik Ibsen’s plays, A Doll’s House and Hedda Gabler he develops marital relationships between characters along with the plays plot. Having unique characteristics the different actors respond differently to the situations given to them. I will be analyzing these marital relationships between characters while comparing and contrasting these results between the three plays. The areas that I will be examining include gender roles, social influences

Elizabeth Bishop s One Art Style Analysis - 1275 Words

Elizabeth Bishop’s â€Å"One Art† Style Analysis In the villanelle â€Å"One Art† Elizabeth Bishop seems to take a very relaxed tone over a subject that many writers would deem a more emotional topic. Slowly her true frustrations are brought to light as the inanimate objects she lists switch from everyday things to examples that have more severity. Bishop’s style of using her works to subtly expose her own personal feeling is very present through the poem. Bishop’s poem â€Å"One Art,† although not one of her more famous works, exemplifies her use of precise diction along with her struggle to find a balance between the confessionalist writing style and her own preference to remain emotionally discreet. Elizabeth Bishop was famous for writing such simple poems that had a hidden deeper meaning that did, in fact, connect to her life. Elizabeth Bishop grew up as an only child and as a legal orphan. Her father died when she was only a baby, and at the age of five her mother was committed to a psychiatric hospital. The loss of her parents influenced much of her writing, she even referenced her mother s situation in her poem â€Å"The village.†After being orphaned she went to live with the less wealthy side of her relatives. Shortly after she took up residence there, her wealthy grandparents took her to live with them. She felt a solitude with her paternal grandparents that led to a myriad of ailments such as asthma, Sydenham s chorea,nervous problems, and eczema.Finally, her aunt rescued herShow MoreRelatedIn Comparing Dylan Thomas And Elizabeth Bishop’S Meditation2055 Words   |  9 PagesIn comparing Dylan Thomas and Elizabeth Bishop’s meditation on the relevance of the poet, it is pertinent to use a sequential analysis of the two poems hereby discussed. Bishop’s â€Å"One Art† may be the result of a careful development of Thomas’ â€Å"Do not Go to Gentle Into That Good Night,† in which she explores her capacity to critique a poet’s speaker with a subtlety that scholars and students may find almost impossible to decipher. In this rather experimental essay, layers of her expertism are expoundedRead MorePoems with Theme with Life and Death and Their Analysis8446 Words   |  34 PagesEI WAI KHAING AN ANALYSIS OF THEMES ON LIFE AND DEATH OF SOME POEMS Abstract: Some basic elements of poem and types of poem are included in this paper. Although there are countless number of poems on Life and Death, only the ones which seem noteworthy are studied and analysed in terms of themes. Different opinions of different poets on life and death found in their poems are also presented and contrasted in this paper. This paperRead MoreAnalysis the Use of Stream of Consciousness in Mrs Dalloway8784 Words   |  36 PagesAnalysis the use of stream of consciousness in Mrs Dalloway BY Qian Jiajia Prof. Zhang Li, Tutor A Thesis Submitted to Department of English Language and Literature in Partial Fulfillment of the Requirements for the degree of B.A in English At Hebei Normal University May 8th , 2009 Abstract As one of the representative writers of novels of stream of consciousness, Virginia Woolf has made important contributions to the development of the technique of stream of consciousnessRead MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 PagesNikki Ayana Jones Senior Managing Editor: Judy Leale Production Project Manager: Becca Groves Senior Operations Supervisor: Arnold Vila Operations Specialist: Cathleen Petersen Senior Art Director: Janet Slowik Art Director: Kenny Beck Text and Cover Designer: Wanda Espana OB Poll Graphics: Electra Graphics Cover Art: honey comb and a bee working / Shutterstock / LilKar Sr. Media Project Manager, Editorial: Denise Vaughn Media Project Manager, Production: Lisa Rinaldi Full-Service Project Management:Read MoreRastafarian79520 Words   |  319 Pages676—dc21 2002074897 v To Donnaree, my wife, and Donnisa, my daughter, the two persons around whom my life revolves; and to the ancestors whose struggles have enabled us to survive and thrive This page intentionally left blank Foreword One of the most useful things about Ennis Edmondss Rastafari: From Outcasts to Culture Bearers is that it correctly traces the connection between the emergence of Rastafarianism and the history of resistance and black consciousness that has been partRead MoreDescribe How to Establish Respectful Professional Relationships with Adults52870 Words   |  212 PagesDesigned by Design, Drawing and Print Services DEPARTMENT OF THE ENVIRONMENT Foreword Constructing the Team ................................................. v Executive Summary ..............................................vii Chapter One Introduction and the Role ofClients ................................................1 Chapter Two General Comments on the Economic Background ................................................ 7 Chapter Three ProjectandContractStrategiesandBriefingRead MoreLogical Reasoning189930 Words   |  760 Pagesappreciate your writing to him at dowden@csus.edu. iv Praise Comments on the earlier 1993 edition, published by Wadsworth Publishing Company, which is owned by Cengage Learning: There is a great deal of coherence. 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The Hero And The Crown Part Two Chapter 13 Free Essays

WHEN SHE CAME to herself she was screaming, or she would have been screaming had her ravaged throat been capable of it. It hurt to breathe. She lay on the ground, a little distance from where the dragon lay crumpled up against the mountainside, its head and tail outflung and motionless. We will write a custom essay sample on The Hero And The Crown Part Two Chapter 13 or any similar topic only for you Order Now She thought, I must have killed it after all; but the thought did not please her particularly. She hurt too much. Water was her next thought. There was a stream †¦ . The thought of water made her wounds burn the more fiercely, and she fainted again. Somehow during that long afternoon she crawled to the stream; it was not until twilight that she finally put out her hand – her right hand, caked with dragon gore – and felt water running over it. She had been afraid that she had, in her desperate need, imagined the sound and smell of running water, and her periods of unconsciousness were full of dreams that told her she was crawling in the wrong direction. Two or three tears crept down her blackened face, and she pulled herself up on her right elbow again, and dragged herself forward, and fell full length into the water. It was shallow where she lay, and she feebly propped herself against a moderate-sized boulder where the water could run freely over her left arm and the left side of her face and yet let her breathe. She spent at least that night in the cool stream, moving only to drink, and then turning her face up again against the rock in that she might go on breathing; although she wondered, occasionally, as she wandered in and out of consciousness, why she cared. Dawn came; or perhaps it was the second dawn since she had pulled herself into the water; or the twelfth. She watched the sun rise and it occurred to her that she seemed to be spending more time conscious, and she was sorry for this. It would have been simpler if sometime during the night when she had wandered off, leaving her crippled body in the cold running water, she had not returned. But instead she found herself blinking at the light of morning, and then staring at a vaguely familiar pale hulk at the shore of the stream. Talat. â€Å"Talat,† she croaked, and discovered that her voice was not entirely gone after all. Talat raised his drooping head and looked at her; he had not recognized the thing in the stream as his beloved Aerin, and he whinnied eagerly but uncertainly. â€Å"If you’re still around,† Aerin whispered, â€Å"then perhaps I’d better stay too,† and she hunched herself painfully into a sitting position. Talat backed a step or two away from the thing in the stream as it rose up at him, but it croaked â€Å"Talat† at him again and he paused. The voice did not sound the way Aerin’s voice should sound, but he was quite sure it had something to do with his Aerin, and so he waited. Aerin found out that sitting up was as far as she could go in that direction, so she lay down again, rolled over on her belly, and hitched her way slowly up onto the shore of the stream, Talat lowered his head anxiously and blew, and the touch of his breath on her face made her grunt with pain. She worked her right hand out of its sodden gauntlet, and raised her good hand to her horse, and he lipped her fingers and then gave a great sigh – of relief, she thought; but she turned her face away from his warm breath, â€Å"A lot you know,† she whispered, but for the first time since they had fallen together before the dragon it occurred to her that she might not die. Her burns and her broken ankle throbbed more harshly once she was out of the water, and she thought, I could spend the rest of my life lying in streams. A very small thought added, That may be no very long time anyway. Then she thought: I have to find a way at least to stand up and get Talat’s saddle off before it galls him. Well, I still have one arm and one leg. It was very awkward, and Talat was unhappy at the way she pulled herself up his left foreleg till she could grab the girth and pitch her shoulders across the saddle and prop herself up that way; but he stood as still as the dead dragon, and only the stiffness of his neck and back told her he was worried. â€Å"I’m worried too, my friend,† she murmured. She managed to unbuckle the girth and let the saddle slide to the ground; there was a pink, almost raw spot behind his elbow where the sweaty girth had rubbed him for too long. There were also two long angry red weals, one across his croup and one other down his flank. Dragonfire. She slithered back to the ground again, landing on the saddle. She found herself staring at the buckles that had held the saddlebags. Food. Where did I leave my gear? It was near the stream here somewhere. Behind a rock. She looked around, but her sight was blurry, and she could not tell which smaller humps were rocks and which might be saddlebags. Her mouth and throat throbbed. I probably can’t eat anything but mush, she thought, and grimaced, but wrinkling her face for the grimace was so painful that she could think of nothing for a few minutes. It was Talat who found her saddlebags. He ambled away from her, snuffling along the ground by the edge of the stream; and he paused by one particular group of small dim hummocks and bumped them with his nose; and Aerin knew by the noise that they were not rocks. He moved away from them again, and one hoof in passing glanced off them, and again the noise was a faint rustle instead of the tunk of hoof against stone. It was another long afternoon before she dragged herself within reach of her saddlebags, for she had often to climb back into the water and soothe her burns and her throbbing ankle. She lay with one hand on their smooth leather, and then thought: A fire. If I could boil something to a pulp till I could swallow it †¦. She fumbled one of the flaps open; there was still bread, and she put it in her hand and held her hand in the water till she felt it begin to disintegrate, and then lapped it up slowly. She did build a fire; she found a way to wedge her tinder between stones so that she could strike it with her good hand; and fortunately there was plenty of fuel by the shores of the stream. Trees still grew here, for they were a little protected from the dragon’s valley by the long stone shoulder that had hidden Maur from Aerin’s campsite. She found the remains of her campfire, and it looked old and weathered; and she thought to notice that the stream was running clear again, and she wondered again how long she had lain in the stream. She found a flat rock for a lid, and began the long process of boiling dried meat in her tin till it was soft enough for her to eat. She didn’t dare make the fire very large, for she could not go far to fetch wood for it; nor could she bear the heat of it. She slept, or fainted again, often, drifting back and forth across the boundary of selfhood; it was no longer only oblivion that those periods of blank ness brought her, but the beginning of healing. She pried the boot off her right foot, gingerly felt the ankle, wrapped it in strips made from spare clothing, tying knots with one hand and her teeth; and hoped she was doing something useful. The wrappings reminded her, if they did no other good, to keep the foot quiet, and the ache of it ebbed away to a dull mutter. She had looked only once at her left arm, and had felt so sick at the sight that she did not look again. But not looking reminded her the same way as bandaging her foot reminded her; and the pain of the burns had subsided but little, and she had often to crawl back to the stream and soak herself in it. And how long before I get sick from the cold? she thought, shivering; for now that her body was trying to fight back it recognized that lying in cold water for long periods of time is not generally a good thing to do, and the unhurt bits of it shivered. She sneezed, and sneezed again. Great, she thought dully, and her eyes fell again on the saddlebags. It was hard to think because of the pain. Kenet, she thought. Kenet. It can’t hurt to try. Hope rose up and blocked her aching throat. She crept to the saddlebags and unrolled the long wallet that held the kenet; and twitched her left arm forward and let it lie in the thick yellow ointment. She closed her eyes, trying not to hope so desperately; she feared the pain might drive her mad soon, and she could not spare the strength to withstand too great a disappointment. But as she grappled with herself the pain in her arm dwindled and ebbed and finally died away to a vague queasy discomfort. I’m imagining this, she thought, holding perfectly still so as not to disrupt the beautiful unexpected dream of peace. She opened her eyes. Her arm was still black and horrible-looking. She lay down, very, very slowly, til her left cheek was cradled as well in the dragonfire ointment; and slowly her face, too, hurt less and less till it did not hurt at all. She fell into sleep, real sleep, the first real sleep she had had since the evening she had read Tor’s note. She dreamed that she woke up, lying with her left arm curled around her head, and her left cheek pressed to the ground. She rose up on both elbows and noticed without finding it remarkable that both arms were whole and strong. She sat up, hands falling easily and languorously into her lap. She rubbed her palms together and thought uncomfortably that she had had a most unpleasant dream about a very large dragon †¦. As she bent her head forward her hair fell forward too, and she noticed two things: first, that her hair was short, barely chin length. This disturbed her, for she knew that she would never cut her hair; Teka was adamant about this, and Aerin was secretly a little proud of the fact that her hair was even longer than Galanna’s, falling unbound almost to her ankles, the weight of it stretching the curls into long ripples. It was also nearly straight now; and when she was younger and her hair shorter, it had been mercilessly curly. But, worst of all, it was the wr ong color. It was still red, but it was the darker color of flaring embers, not the paler shade of the leaping flames. Panic seized her; she was not herself; she had died; or, worse, she, Aerin still existed, but the dream of the dragon had not been a dream at all, but real, and the real Aerin still lay somewhere with a burned face and a blackened arm and a broken ankle, and this healthy painless body she presently inhabited belonged to someone else; she would not be permitted to stay. â€Å"I will help you if I can,† said a voice; but she was dreaming, and could not be sure if the words were spoken aloud. She looked up from where she sat huddled on the ground; a tall blond man stood near her. He knelt beside her; his eyes were blue, and kind, and anxious. â€Å"Aerin-sol,† he said. â€Å"Remember me; you have need of me, and I will help you if I can.† A flicker came and went in the blue eyes. â€Å"And you shall again aid Damar, for I will tell you how.† â€Å"No,† she said, for she remembered Maur, and knew Maur was real, whether or not she was dreaming now; â€Å"no, I cannot. I cannot. Let me stay here,† she begged. â€Å"Don’t send me back.† A line formed between the blue eyes; he reached one hand toward her, but hesitated and did not touch her. â€Å"I cannot help it. I can barely keep you here for the space of a dream; you are being pulled back even now.† It was true. The smell of kenet was in her nostrils again, and the sound of running water in her ears. â€Å"But how will I find you?† she asked desperately; and then she was awake. Slowly she opened her eyes; but she lay where she was for a long time. Eventually she began walking again, leaning heavily on a thick branch she had found and laboriously trimmed to the proper length. She had to walk very slowly, not only for the sake of her ankle, but that her left arm not be shaken too gravely; and she still had trouble breathing. Even when she breathed in tiny shallow gasps it hurt, and when she forgot and sucked in too much air she coughed; and when she coughed, she coughed blood. But her face and arm were healing. She had also discovered that the hair on the left side of her head was gone, burnt by the same blast of dragonfire that had scarred her cheek. So she took her hunting knife, the same ill-used blade that had been forced to chop her a cane, and sawed off the rest of her hair till none of it was longer than hand’s width. Her neck felt rubbery with the sudden weightlessness, and the wind seemed to whistle in her ears and down her collar more than it used to. She might have wept a little for her hair, but she felt too old and grim and worn. She avoided wondering what her face looked like under her chopped-off hair. She thought fixedly of other things when she rubbed kenet into her cheek, and when she dressed and rebound her arm. She did not think at all about being willing to face other people again, except to cringe mentally away from the idea. She was not vain as Galanna was vain, but she who had always disliked being noticed was automatically conspicuous as the only pale-skinned redhead in a country of cinnamon-skinned brunettes; she could not bear that her wounds now should make her grotesque as well. It took strength to deal with people, strength to acknowledge herself as first sol, strength to be the public figure she could not help being; and she had no strength to spare. She tried to tell herself that her hurts were honorably won; even that she should be proud of them, that she had successfully done something heroic; but it did no good. Her instinct was to hide. She had briefly thought with terror that the villagers had sent the messenger to the king that morning so long ago might send another messenger to find out what had become of either sol or dragon; but then she realized that they would do no such thing. If the sol had killed the dragon (unlikely), she would doubtless come and tell them about it. If she didn’t, the dragon could be presumed to have killed her, and they would stay as far away as possible. At last she grew restless. â€Å"Perhaps we should go home,† she said to Talat. She wondered how it had gone with Arlbeth and Tor and the army; it could all be over now, or Damar could be at war, or – almost anything. She didn’t know how long she’d been in the dragon’s valley, and she began to want urgently to know what was happening outside. But she did not yet have the courage to venture out of Maur’s black grave-out where she would have to face people again. Meanwhile she walked a little farther and a little farther each day: and one day she finally left the steam bank, and hobbled around the high rock that separated the stream from the black valley where Maur lay. As the sound of the stream receded she kept her eyes on her feet; one booted and one wrapped in heavy tattered and grimy rags; and one of them stepping farther than the other. She watched their uneven progress till she passed the rock wall by, and a little gust of burnt-smelling breeze pressed her cheek, and the sound of her footsteps became the slide-crunch, slide-crunch of walking on ash and cinders. She looked up. Carrion beasts had not gotten far with the dead dragon. Its eyes were gone, but the heavy hide of the creature was too much for ordinary teeth and claws. Maur looked smaller to her, though; withered and shrunken, the thick skin more crumpled. Slowly she limped nearer, and the small breeze whipped around and stroked her other cheek. There was no smell of rotting flesh in the small valley, although the sun beat down overhead and made her cheek, despite the kenet on it, throb with the heat. The valley reeked, but of smoke and ash; small black flakes still hung in the air, and when the breeze struck her full in the face the cinders caught in her throat and she coughed. She coughed, and bent over her walking stick, and gasped, and coughed again; and then Talat, who had not wanted to follow her into the dragon’s valley but didn’t want to let her out of his sight either, blew down the back of her bare neck and touched his nose to her shoulder. She turned toward him and threw h er right arm over his withers and pressed the side of her face into his neck, breathing through the fine hairs of his mane till the coughing eased and she could stand by herself again. The dragon’s snaky neck lay stretched out along the ground, the long black snout looking like a ridge of black rock. Ash lay more heavily around the dragon than in the rest of the small valley, in spite of the breeze; but around the dragon the breeze lifted a cloud that eddied and lifted and swelled and diminished so that it was hard to tell – as it had been when she and Talat had first ridden to confront the monster – where Maur ended and the earth began. As she watched, another small brisk vagrant breeze swept down the body of the dragon, scouring its length from shoulder hump to the heavy tail; a great black wave of ash reared up in the breeze’s wake and crested, and misted out to drift over the rest of the valley. Aerin hid her face in Talat’s mane again. When she looked up she stared at Maur, waiting to think something, feel something at the sight of the thing that she had killed, that had so nearly killed her; but her mind was blank, and she had no hatred or bitterness nor any sense of victory left in her heart; it had all been burned away by the pain. Maur was only a great ugly black lump. As she stared, another small breeze kicked up a windspout, a small ashy cyclone, just beyond the end of the dragon’s nose. Something glittered there on the ground. Something red. She blinked. The wind-spout died away, and the ash fell into new ribs and whorls; but Aerin thought she could still see a small hummock in the ash, a small hummock that dimly gleamed red. She limped toward it, and Talat, his ears half back to show his disapproval, followed. She stood on one foot and dug with her stick; and she struck the small red thing, which with the impulsion of the blow sprang free of the black cinders, made a small fiery arc through the air, and fell to the earth again, and the ash spun upward in the air draught it made and fell in ripples around it, like a stone thrown into a pond. Aerin had some trouble kneeling down, but Talat, who had adjusted to his lady’s new slow ways, came and stood beside her and let her clutch her way one-handed down a foreleg. She picked the red thing up; it was hard and glittering and a deep translucent red, like a jewel. â€Å"Well,† she whispered. I can’t take the head away as a trophy this time; so I will take this. Whatever it is.† She tucked it into the front of her tunic, where her bound arm made a cradle for it, and pulled herself back up Talat’s foreleg again. He had gotten so good at being an invalid’s assistant that she could lean her stick against him and he would not move till she took it back in her hand, that she need not have to pick it up from the ground. A few days after she found the red dragon stone she looked around for something high enough to let her climb up onto Talat’s back, and low enough that she could climb up onto it in the first place. This took some doing. She finally persuaded him – he was willing to be persuaded once he could figure out what strange thing she next wanted of him – to stand in the stream while she edged out, balanced precariously on her buttocks and one hand, down a long heavy overhanging branch from a tree growing near the shallow bank; and lowered herself as slowly as possible onto his bare back. He gave a little whicker of pleasure to have her there again, and took steps as smooth as silk when he carried her; and she sat up a little straighter than she could stand on her own feet, and felt a tiny bit more like a king’s daughter than she had for a long time. She rode him up and down the bank of the stream that day, just for the pleasure of a motion that didn’t hurt h er right ankle; and the next day she saddled him and tried it again, and the day after that she saddled him and tied the remains of her belongings clumsily behind the saddle, and they left the stream and Maur’s valley forever. The red stone knocked gently against her ribs as her body swung back and forth in rhythm to Talat’s long gentle stride. How to cite The Hero And The Crown Part Two Chapter 13, Essay examples

Mhr Individual Case Study free essay sample

The textbook defines profit sharing plan as â€Å"A system whereby an employer pays compensation or benefits to employees, usually on an annual basis, in addition to their regular wage, on the basis of the profits of the company† (Page 352). This plan can either be a really great plan or a terrible plan because it ultimately depends on the profits earned by the company in a given time period. Let’s say for a certain month the company is doing really great in profits and business is good than the employees will be really happy and earn a lot more than they’ve earned in the past, But if the company fails to generate a lot of profit the next year than wages for the employees will decrease and be more lower than it was before which will make employees upset and earn less money. The idea of imposing a PS plan is so that employees are motivated to work hard so that they can make money as possible and the company can be profitable. We will write a custom essay sample on Mhr Individual Case Study or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It’s a drive to get employees to help the business become successful so ultimately it’s a win-win situation between the employees and company. I would tell Robert Clark to continue with his plans on proposing this idea of making a PS plan. This PS plan will be great for this Maple Shoes Company because it will motivate employees to work hard and become more productive in their work field so that Maple Shoes can make as much money as possible and results to a good company image. 2. Do you see a possibility of convincing Maple Leaf Shoes unions to buy in on a PS plan? I believe the union members will not buy into the PS incentive plan because it ultimately depends on how much the company makes over a certain period of time. There is always a possibility that there will be no profits or low profits during a period of time. The amount of profit Maple Leaf Shoe is making is highly unstable but one moment you might be getting a lot of money and another moment you will be getting paid under what you used to get paid. This plan has a lot of ups and downs but it’s really like gambling because you can win a lot of money and lose a lot also. I can see how this plan might be able to increase production of employees because it will motivate employees to work harder to help the company earn more profits. But sometimes the employees will do everything their supposed to do and maybe the company doesn’t make profits because of other reasons like competitions or other factors that employees can’t control. Also Maple Leaf Shoe production costs are steadily increasing which means they need to make a lot more money to cover their high costs. There is a low possibility that Union will accept this PS plan because there is too much gamble and risk. 3. What other incentive plans are suitable for Maple Leaf Shoes? The three incentive plans that will be more beneficial to the Maple Leaf Shoes company is production incentive plans, employee stocks ownership plans (ESOPs), and Scanlon plan. Production incentive plans are plans that â€Å"allow groups of workers of workers to receive bonuses for exceeding predetermined levels of output† (Page 351). This will motivate employees to work harder and be more productive than they were before. Employees would want to work more than there supposed to so that they earn more money and the company benefits because it will have a lot of employees that will do a lot more for them that will ultimately generate more profits. Employee stocks ownership plans (ESOPs) is a plan that gives employees ownership of the company and gives them voting rights within the company. This is advantageous because it allows employees to feel that they are part of the company instead of being related to as an asset to the company. Employees would want to work for a company that they represent and have ownership in because they will treat the company as their own and do whatever it takes to get the company more profits. The two plans previous are all determined on factors that employees can’t control with is the profit the company makes. Scanlon plans as stated in the textbook is â€Å"An incentive plan developed by Joseph Scanlon that has as its general objective the reduction of labour costs through increased efficiency and the sharing of resultant savings among workers† (Page 352). This plan is great for employees because it rewards them based on the labour costs, a factor they can control. Works Cited List Schwind, H. F. , Das, H. , amp; Wagar, T. H. (2010). Canadian human resource management: a strategic approach (9th ed. ). Whitby, Ont. : McGraw-Hill Ryerson.